Under Fire in a War Zone Looking at Ivey Abitz

by Frances from California

Ivey Abitz design worn by social scientist in Afghanistan.
Frances in Afghanistan wearing her Clotaire Shirt Jacket by Ivey Abitz.

I first discovered Ivey Abitz clothing on my last night of vacation in Paris. I’d spent nearly two weeks there absorbing art, quality design, and craftsmanship. The next day I would board a flight back to Afghanistan, where I had spent the previous 14 months. I worked and lived in southern Afghanistan, in Helmand province, the most violent in the country.

I don’t remember how I found the website, but sitting there in Paris on my last night of leave, I discovered this beautiful clothing that met all my criteria: quality craftsmanship, thoughtful design, and custom made. I am myself a weaver and sewer, and while not nearly as talented as Ivey Abitz, I know enough to identify quality when I find it. It was a fit.

Knowing that I would not have reliable internet for long, I placed an order.

Upon returning to Helmand, Cynthia Ivey Abitz and I struck up an occasional conversation about our mutual admiration for craft and quality. I was back for six more months of living and working in a war zone.

I cannot overstate how much it meant to have a distraction from the violence around me. I served with the British Army, and while our area of Afghanistan was small, we had a disproportionately high amount of casualties compared with the rest of the country. Our task was daunting.

Our conditions were austere to say the least! I lived in a tent with seven other people; we endured a summer and winter with no climate control. However, the most pressing concern there was the fact that we lived in a war zone. Internet access was rare, but when available I went right to the Ivey Abitz site and just looked at beautiful things, and imagined what my world would be like when I was home. There was no better therapy than distraction for me.

Toward the end of my deployment the Afghan phone carrier I had offered very slow 3G. One day our base took indirect fire, where people lob ordnance into where we live. We put on our heavy body armor and headed for the shelters. I sat in a concrete bunker wearing a flack jacket and helmet and waited for pages to slowly load on my phone. Coincidently, that day was the very day IA’s spring 2013 line premiered, and I wasn’t going to miss out on making a mental list of new items to contemplate.

Needless to say, I made my list, placed an order, and by the time I returned home I had boxes of beautiful clothing waiting for me. I love every item I have, and am grateful to Cynthia for providing me with plenty of good things to think about while I was in Afghanistan.

Blanchefleur Duster Coat and Palliser Jacket over the Everett Frock
Frances in the Blanchefleur Duster Coat and Palliser Jacket over the Everett Frock on her return home to California.

Finding a perfect blend of quality, detail, and lifestyle

Atlanta, GA
Atlanta is a town that is quite conservative in fashion.

When I was initially told about Ivey Abitz Bespoke clothing, I was curious, but somewhat dubious that I would discover anything I had not already seen in the world of fashion. I have loved fabrics all my life, with memories of my Grandmother’s black eyelet dresses in summer and petal soft cashmeres in winter. However, living in Atlanta, as I matured, I realized this is a town that is quite conservative in fashion. Tailored designer suits or khakis with crisp cotton shirts seemed to be pervasive. I never felt “at home in my own skin” in these types of clothes. I longed for those eyelet fabrics with detailed cuffs and collars. My antique doll I inherited as a child had handmade dresses with little pin tucked skirts, ruffled pantaloons and even a velvet coat with fur trim.

I dabbled with many designers, but some were way too overstated and frivolous. Even with lovely fabrics, these garments felt like they wore me, instead of claiming my own sense of style. I also felt a commitment to garments made in the USA if at all possible. Years ago I had decided I would dress for myself and not need someone else’s approval for my own individual style. I even took a stab at sewing myself, but my design concepts were much better than the finished product!

So, when I looked up the Ivey Abitz website, I felt I had found my match!

My first bespoke garment was a sample, so I could test the waters before making a big commitment. Even the Ivey Abitz samples I purchased were exquisitely sewn with dressmaker details and lovely fit. I had finally found my bits of flounce and memories of fashions past, combined with modern styling, care, and fit.

Fennefleur Frock skirting
Fennefleur Frock skirting

I now wear my Ivey Abitz bespoke frocks and jackets whenever possible. I have dyed Easter eggs for my 2 year old grandson in my Midnight Striped Fennefleur Frock, blown bubbles in the park in my Crinkled Cotton Cozette Frock, as well as attended the symphony, ballet, and opera in those very same frocks with different combinations of jackets and accessories.

Cozette Frock skirting
Cozette Frock skirting

I have turned to Cynthia for advice and direction in planning my garments so I can optimize the possible combinations of my pieces. I have machine washed these beautiful garments and found they looked fresh and ready to wear almost immediately.

I hope others who are drawn to Ivey Abitz clothes will feel they are versatile and can be worn in a busy daily lifestyle as well as for special occasions.

Thank you Cynthia, Josh, and all the wonderful dressmakers who work as a team to create the finished bespoke Ivey Abitz clothing line. I feel these garments are definitely clothing for life that I am comfortable wearing.

Oh yes, I do receive numerous compliments everywhere I go in my bespoke clothing.

-Anne in Atlanta

Traipsing Round the World in My Traipse Shirt

Traipse Shirt by Ivey Abitz
Traipse Shirt by Ivey Abitz

I love my Traipse shirt and its beautiful fabric of tiny knitted flowers (look closely) in a beautiful, rich black colour. It is so soft and cuddly.

It is the perfect piece to be wearing when one is visiting cuddly bears! More on the Traipse shirt in a moment. But first some background on the cuddly bears.

This May, I once again narrated a children’s show for the National Symphony Orchestra in Washington, D.C. These concerts are for the youngest members of the NSO audience. (“Is there a concert for me? I’m only three!”)

The concerts are called “Teddy Bear Concerts” and the children are allowed to bring their stuffies with them. There is also an instrument “petting zoo” before the show begins, with musical instruments for the audience to play, touch, and hear. A very nifty idea, I think.

Teddy Bear Concerts come in differing programs but I like to think that our program is special, for it is the only one about bears! Through poetry, music, and visuals, we visit different bears in their native countries. The music illustrates the country. For example, “Waltzing Matilda “ represents Australia and “Reel O’ Tolloch” represents Scotland. We visit 6 countries and I, as the storyteller, use accents from each country for the poetry.

Huge pictures of the bears we are visiting are revealed as we arrive in Scotland, Peru, USA, the Arctic Circle, Bulgaria, Australia, China, and even outer space for a robot-like space bear!

The wonderful thing about this concert is that it appeals on many levels. Adults find it fascinating to learn that all the bears that we see through the program are endangered, and that there is only one bear native to South America – the Spectacled Bear. We know that Koalas are marsupials and not bears, but we don’t let too many facts spoil the image of those lovely creatures as the musicians play “Matilda” and we sing along!

I love doing these shows…so much fun! We worked very hard to make it fun and educational, and the audiences have truly enjoyed it. We did it for the first time last year at the Kennedy Center, took it on tour twice, and then once again this year at the Kennedy Center. There is talk of future performances and all of the concerts have, thus far, sold out!

It is a pleasure to bring music to children. Some even get up and dance. We go with the flow, and the musicians are a delight to work with as are our audiences. Some of the children who have heard this concert when we are on tour have never heard live music before (please see my previous blog entries).

So, where does my Traipse Shirt come in?

The first year at the Kennedy Center, I wore my ever favourite Solomon Jacket in silk weave with a black skirt. [See Lynn-Jane’s bloggings from her 2010 NSO tour.] This year for the tour and the four shows in D.C., I wanted something new from the wonderful IA collection. I had to have a new piece that would travel easily and be easy to move and dance in.

Once again, I asked Cynthia’s advice, and, as usual, her suggestion was perfect. We decided that MY Traipse would be more of a jumper. That is one of the lovely things about IA designs: the flexibility and collaboration of CIA (Cynthia) and the patron. CIA? Isn’t that funny? I call her “Couturier Cynthia Ivey-Abitz.”

At my request, her seamstress made the shirt extra large and loose. I could roll up the sleeves for our “trek,” and I wore it for all four concerts and for a few concerts on tour. It worked beautifully. Cozy, comfortable and beautiful. A lovely black knit that looked perfect on stage!

A couple of the musicians remarked that they had not noticed the pattern on the weave until they saw the shirt closer, and that it was a perfect choice, as most of their wardrobe was in blacks and greys with touches of colour. My Scottish pin of feathers and thistle added the perfect bit of colour to my shirt/ sweater and was an appropriate piece for visiting Scotland.

So, that is how I “traipsed” around the world with CIA. Not undercover, but in the Family Theatre at the Kennedy Center. What a joy!

I leave you with a few lines of the poetry from the show. Adding a bit of a Chinese inflection (little ears cannot hear subtle differences in accents and there are so many in the show, thus I suggest them only). Lots of accent work and listening to tapes as I had to “get it right.” What more could one ask for? Great work, challenging work, neat stuff for children, super audiences, and a lovely new sweater.

Have you ever seen a bear so cute?
He lives in China – a far commute.
You may take a little snooze,
While pandas play in tall bamboo!

My thanks to Paula for the lovely poetry and my colleagues, Lewis, Elizabeth, Paula, and Joe for the wonderful music.


Lynn-Jane Foreman
Actor/ voicework

In Shock that I Went to a MALL

by Lynn-Jane of Washington, D.C., an actor on tour with the National Symphony Orchestra wearing Ivey Abitz.
Writing 3 of 3

Arrived in Charleston at 2 PM. Charleston is the capital of W.Va., and the city is quite beautiful…again, on a river. We are in the “downtown area” across the street from a MALL! SO funny, I never go to malls, but there I was, along with at least half of the NSO.

The orchestra arrived on the buses at 2:30PM. Rooms were not ready. For us civilians it’s not usually a problem, but for tired musicians who have a concert tonight at 8PM, it is a catastrophe! Lewis and I arrived at the hotel before the rest of the crew because we had the car.

Tonight’s concert was another “run-out,” meaning the NSO boards yet another bus to go out to Huntington. So, the buses left at 6PM in order to get to the hall for “half hour call.” Thus, everyone was at the mall, looking for something to eat until the rooms were ready for changing, napping or unpacking concert clothing.

Never knew a MALL could be such fun, and the Borders had British magazines! I cannot find UK magazines near me… it was actually a nice MALL (as far as MALLS go). Please forgive the capital letters of MALL — I am still in shock that I went to a MALL. It’s online ordering for me!

While at the MALL, we noticed that most people were wearing black ribbons in memory of the Big Branch Mine disaster. The mine is about 20 minutes from here. All talk today was about the mine.

People here are SO friendly, and when they find out that we are with the NSO, the hospitality is extraordinary. The concert last night was sold out, and the sponsor of the concert (a glass factory owner) gave each musician a glass paperweight and each Maestro a piece of art glass. The staff received a gift as well.

The concerts in Wheeling were sparsly attended as the tickets were $25. The musicans thought that the concerts should be PWYC or free, but the concert presenters did not agree. Last night and tonight were SOLD OUT with standing room only.

Yet, there was no reception for our cell phones in Morgantown. According to the TV reports, when the Red Cross came in to help with the mine explosion, they were flummoxed to find that there were no cell phones and only “dial up service” (whatever that means). Not many extremes here. HA!

Tomorrow is a concert matinee in Princeton and 3 outreach programs including a chamber concert and a small group at an assisted living facility.

On Monday, there is a children’s concert at 10. My husband, Lewis, has a “sectional coaching session” in CLAY county and then we have another “Teddy Bear” concert at 2! There are 9 outreach programs on Monday, including string coaching, in-school ensembles, conducting coaching etc.

The NSO provides everyone with a book for each tour, telling us where we are to be every minute of the day — what time the luggage needs to be in the lobby, what time the buses leave, dress for day and evening concerts, what hotel facilities are available, how long it takes to get to each place, etc., etc. CANNOT do without “the book”….I have forgotten where we are at times…think how the musicians feel?

When we finally got to our room here in Charleston (our last hotel) I was sick to learn of my leaving my Scottish feather pin (on my sweater/ costume for the concert on Monday and my slip) at the last hotel…remember what I said about unpacking? I unpacked these things and put them aside to keep my “wardrobe” together for the concert. Well, I left them, and we did not have the time to drive back to Morgantown. The pin was from Scotland (we go to Scotland in the concert). Needless to say, there was not another at the MALL. Oh well. I guess I am officially initiated into the NSO tour lore!

The audiences have been visably moved when the NSO plays Bach’s “Air on the G String” in memory of the miners…the concert hall is so quiet, no coughing or shuffling… just a collective sigh and a great appreciation of the NSO remembering this tragedy; it happened on the first day of the tour. Some of the musicians wanted to go to Big Branch to play but it could not be arranged. I was astonished to hear that the miner families brought food to the rescue workers, the press, and the Red Cross. Miners are close-knit — families that have been miners for years. The sad truth is that there are few union mines, and mining is the only work available. As a friend of mine said, “Don’t want to go to the mines? Then don’t, but do not expect to find other work in the area that will support a family.” SO very sad and a real wake up call for me.

We leave W.Va. on Tuesday, after the final concert in Clay. It has been a remarkable experience.

I know I have said it over and over, but I have been so taken about by the people of W.Va. that I have met. Absolutely kind. Many have told me that the “hick” status is hurtful and that they are aware of the poorness of the western regions of the state. They may be desperate, but from what I have seen, they are proud and kind.

If only we spent our tax dollars on places like W.Va. and New Orleans and not on wasteful things…. I would rather my tax dollars go for domestic social programs than wars etc. Oh well, not my world…. the coal and petroleum lobbies control. In Europe, there are no lobbbyists, so in Norway (where they drill their own oil) fuel could cost 25 cents per liter, but the people voted to let petrol cost 7$ per gallon, to pay for social programs! They voted in a referendum…. can you imagine this in W.Va. or America? I can only hope that Mr. Obama goes after the mine lobbyists and the oil lobbists…. never happen? I can only hope. We still have the lowest prices on fuel in the world. I have learned a lot in W.Va., and I am so grateful to have been a part of this tour.

This BLOG will be the last as the next 2 days do not provide me with any free time…. so, thanks for listening, and if you ever get the chance to come to the western parts of W.Va., do.  AND I do not mean the Greenbrier….

We got another message from the teachers in Phillipi, thanking us and asking us to return….I hope that we can.

Editor’s note: For more about the tour, see the tour blog of Emil de Cou,  Associate Conductor of the National Symphony Orchestra

How about a dance from West VA

by Lynn-Jane Foreman, an actor on tour with the National Symphony Orchestra wearing Ivey Abitz.
Writing Two

The National Symphony Orchestra (NSO) is playing tonight in Glenville. Then, we are all up in the a.m. to travel to Charleston, about 2 hours away. Then, tomorrow night a concert in Roanoke, W.Va. Children’s concerts on Sunday and Monday. Thank goodness, not at 9:30 a.m.

One or two nights in each hotel does not really allow unpacking or relaxing or siteseeing or “having fun.” There are receptions for us, but now I understand why most of the musicians and staff come home and go directly to bed. I am exhausted, and I am not playing each night.

I remember when my husband and I first got married. I thought touring (as do many others) was glamourous, especially overseas. But the first time I went to Europe with the NSO, we did 37 cities in 41 days, two days off at the beginning of the tour, and two days off the entire time we were away. People were tense: reviews, food, taking care of instruments, sickness, etc. Although I was thrilled to be there, it was frustrating to not be able to enjoy all of it. And we thought those ballet tours were hard! When we go to just one country, it is not so hard.

“American Residencies”…it is estimated that 400,000 people have heard music through the NSO residencies, and there has been a residency each year since 1992.

If I was queen and this was my world, I would make sure that children got music, art, and health care and not wars and politics. Not just children, but all people.

The NSO offered to do a benefit concert for the miners, but people here have little money to spare, so they are playing a special piece at each concert in remembrance of the miners that recently died. Charleston (tomorrow) is about 10 miles from the mine that exploded.

The cultural committee of W.Va. is holding a supper for us tonight with an Appalachain buffet and with traditional mountain music. Did you know they award a music degree from U. of W.Va. with a major in bluegrass? AND how similar (of course, look who settled W.Va. – Scots Irish) to the jigs and tunes we have in our show. In fact, we changed a line in the show from “how about a dance from the USA” to “how about a dance from West V-A” The audience loved it – and I did too!

XXX from the freezing West Virginia mountains…..


NSO tour as a “guest artist”

Bringing Music to the Masses

Lynn-Jane Foreman is an English-American actress working in film, television, and on stage. As a patron and wearer of Ivey Abitz designs, she is generously sharing her thoughts for Ivey Abitz Voices about art during hard times, particularly whilst traveling on tour this spring as a guest artist and narrator with the National Symphony Orchestra.

Kennedy Center
Lynn-Jane Foreman wore an Ivey Abitz Solomon Jacket on stage at the Kennedy Center.

Lynn-Jane’s tour began at the Kennedy Center, and her favourite Ivey Abitz design, the Solomon Jacket, was featured onstage at this very special event. Other Ivey Abitz designs toured along with her as the group of artists traveled their way through West Virginia mountains, taking art to communities and schools that don’t have access to cultural events.

She reveals the less-than-glamourous events of life as a touring artist. She shares her thoughts about the importance of art in everyday life and what it means to share art with depressed areas of the country.

Since many of our readers are artists, Lynn-Jane’s words have extra special meaning; she is an artist writing to artists about art. We at Ivey Abitz thank her deeply for sharing with us.

– Cynthia Ivey Abitz

By Lynn-Jane Foreman, Washington, D.C.

Writing One:

Solomon Jacket by Ivey Abitz
This is the Solomon Jacket, similar to the one worn by Lynn-Jane Foreman at her Kennedy Center performance.

I was the guest artist for the National Symphony Orchestra (NSO) at the Kennedy Center, and Ivey Abitz should be proud to know that they were represented at the evening show, featuring the Solomon Jacket.

After the Kennedy Center performance, I began traveling with the NSO as a guest artist. It has been clear to me for many years how difficult these tours are and how much work goes into planning them. I am playing a small part in these concerts, so I have an “insider” view of touring – and this is only a domestic tour! No wonder so many of the musicians find touring so hard. Arrive at 12 a.m. after a concert to a new hotel, cannot find your keys, room, or suitcase, and then someone always misses one of the 3 buses or gets sick. AND cell phones do not seem to work up here in the mountains! This is a very typical day… there are always glitches with rooms, noise, instruments, suitcases, etc. BUT since my husband and I drove (along with others), it was a bit easier on us.

Yesterday, we drove from Morgantown to Roanoke, West Virginia. A long windy ride (yea, Dramamine). We are at a beautiful resort on yet another river. Deer and wildlife all over…. but not anything is nearby, which makes many of the musicians antsy (not that they have a lot of free time) as they came on the buses from the Kennedy Center… about 15 or so musicians drove, as W.Va. is so close.

This hotel is centrally located so that the music outreach programs to the schools are fairly accessible. This morning at 7:30 AM, we drove to Philiipi where we had the first concert, which began at 9:30. It took us an hour to get there (again, beautiful, but hard for someone who gets carsick.) The Dramamine made me so sleepy, I wondered if I would remember what I was to do…

There were 400 children there, K-1st grade. Bussed in from all over. Absolute quiet and well-behaved. Over 90% of the children had never heard live music before. Some of the band members at the local high school acted as our stage crew, as the NSO crew cannot go on all of the outreach programs. For example, there were 12 programs today alone.

The thoughts that occurred to me were many. These children are so eager for art and yet so isolated. They looked at the instruments on the internet beforehand so that the teachers could explain what a violin or bassoon was, or classical music, or the “places” we visited in the story of the program. There were 2 deaf children in the audience, and we let them sit on the stage so they could feel the music vibrations. They also had an interpreter.

This is a very depressed area without resources, and they treated us like “heroes.” They gave us box lunches for the journey back to the hotel. They had water, coffee, and tea backstage for us. They thanked us thousands of times and asked us to please come back. The children were enchanted. We ended up staying a bit longer to talk to them and to show them the instruments. Some of them had traveled 2 hours to hear us.

We performed in the high school auditorium; little lighting, only 3 mics, yet it was PERFECT. My husband and I drove home through very depressed country….lots of substandard housing, etc. I kept wondering who lived in those trailers and what their lives were like. (Actors are like that, trying to get into someone else’s skin.) My husband was also astounded at some of what we saw, and we are not “unseeing people.” How do they make money? Where do they get food? Medical care? Unemployment? How can we deny our citizens social programs? I know, I know, a social monarchist.

Being fairly informed about social issues, I wondered so much about what I saw… perhaps I really have been protected. I was quite moved by the children and seeing this part of the USA.

to be continued…

Mother always recommended quality material, pretty colors, and simple designs

by Gerri from Texas

As a relatively new Ivey Abitz customer, I am amazed at how quickly I have become addicted to Cynthia’s gorgeous creations! They put to shame much of the other brands in my closet. I love how they coordinate with other Ivey Abitz pieces, as well as clothes I have had for years and still wear.

A dear friend and I had a very lengthy conversation several months ago.  We are convinced that we were born into the wrong century. Both of us love Victorian and Edwardian clothes and jewelry much more than we like the current trends.  We were both raised in the South and still adhere to the rules of fashion taught by our mothers: no white shoes or clothes before Easter or after Labor Day, etc. My mother always recommended quality material, pretty colors, and simple designs, and I have never forgotten what she said, although I do like the occasional odd and quirky piece.

Cynthia Ivey Abitz designs the most amazing and beautiful wearable art that I have found, and this art supports my vintage-wear wants and needs. In addition, these garments are so very comfortable, versatile, and they actually fit. No more of those one-size-fits-most clothes, where the shirts could double for dresses on my 5 foot 3 frame and the skirts drag on the ground. The ability to choose from  a range of measurements in Ivey Abitz garments ensures a flattering fit. I also love all of the little extras that differentiate the mundane garment from the spectacular garment. Thank you, Rebecca – one of the Ivey Abitz beloved seamstresses – for the tiny pin tucks in my Cordelia Shirt! The quality my mother recommended is found in every piece of Ivey Abitz clothing. There are no stiff tags poking into the back of my neck, no scratchy seams – no flaws whatsoever, and these gorgeous clothes are made in the USA, which is another definite plus.

I hate the current trend of midriff-baring, deep cleavage-showing, skin tight clothes. I love the grace, quality, sheer beauty and elegance of my Ivey Abitz wardrobe. The ease of layering these gorgeous pieces can hide so many figure flaws.  I also love the second looks I sometimes get while out and about.  My fellow Ivey Abitz aficionados know what I mean – that admiring and envious look from other women who are wondering where we found that gorgeous outfit!

Last, but most definitely not least, there is Cynthia Ivey Abitz herself, a lovely lady who is always willing to help in my clothing and accessory selections. Thank you, Cynthia.

Opening boxes: a 2 hour event

by Deborah from Rhode Island

Another in a series of notes to designer Cynthia Ivey Abitz  after receiving an Ivey Abitz order.

Good evening Cynthia,

I apologize for not writing sooner to thank you for all the exquisite work that went into my most recent orders. I have been inundated by work for my job and finishing up a degree, and as a result, have had to put some things on hold for a bit. When I received my boxes from Ivey Abitz today I knew that I had to get away from all the work and write a note.

The sample velvet Solomon Skirt and the velvet Baedeker Scarf are so very beautiful – the silk velvet is the softest I have ever felt. I am trying to find an excuse to wear them now 🙂

My wonderful made-to-order outfit and made-to-order Celia Skirt arrived together in separate boxes. I had taken the day off from work to finish a paper for school – of course, I knew that my clothing was on the way and I would be home when they arrived. I procrastinate a lot when it involves writing papers so I set the boxes aside and decided to use this opportunity to reward myself if I got some work done. My reward was to open both boxes and spend time admiring my new clothes – it worked. It took me approximately two hours to open both boxes, admire the clothing, and hang them all up.

The Sophia Frock is perfect – and the length is perfect. My Willow Frock and Sash – I love the Striped Silk Cotton Voile fabric and I am so glad that I ordered these before the fabric sold out. I have not yet worn my Lydia Layering Shirt yet but it is so so pretty. The weather is supposed to be warmer today so this might be a good day to wear my outfit.

My new Celia Skirt – what can I say? It is stunning, fits perfectly, and goes with so many things that I own. The details on the Celia Skirt are amazing – and I love the brooches. Thank you for helping me decide on the fabrics for them. Your grandmother Celia would be so delighted to know that you named this skirt for her.

I am now off to class –



Something so extraordinary about wearing custom made garments

by Deborah from Rhode Island

To Cynthia and everyone at Ivey Abitz –

I’m so in awe of the work you do – from Cynthia’s timeless designs to the black satin ribbon that is tied around that perfect white box. When the scarf that you so carefully made for me arrived on Saturday, I was not at all surprised at the glorious fabric or the perfect stitching and the lovely way that the scarf was folded inside its box. I’ve come to expect that everything I order from IA will be cause for excitement. I ran out to greet the postman as he was stepping out of his truck to deliver my package – he could tell that the box was for me. There was a tornado watch in my area that afternoon and I doubted that my scarf would arrive. So, I was all the more excited when it did! I felt like a little kid waiting for Santa Claus to arrive (and the postman probably thought I was a little kid). I truly savored every minute of opening that box, pulling back the tissue paper, and holding the scarf in my hands. The lovely color, the texture of the silk and linen fabric. I’m so pleased with it, as I am with all my Ivey Abitz. There is just something so extraordinary about wearing custom made garments. This scarf will look beautiful and feel soft worn around my neck, and will keep me warm and feeling lovely. Thank you so much for sharing your creativity, talents, and skills – I feel fortunate that I have experienced all of these. I’m already day dreaming about what could be in the next box I receive from Ivey Abitz.

Best to all,


Southern Sartorial Elegance

by Anita in the South

I am Southern, born and bred. Growing up, my grandmothers made many of my outfits and by age ten, I was sewing in 4-H. I know the hours of work that go into the touches, the details, that make an ensemble not only look perfect but FEEL perfect. I have spent many an evening as a teen, taking out stitching that wasn’t just so and pinning for top stiching, lapping seams, laying a pattern so that the designs in the fabric would flow, and basting for hours.

My mother had a seamstress, Miss Barton, that made many of her outfits, bound button holes, detailing, even her own labels, and I would ride with her for her fittings. (Any of you recall Leiter fabrics??) My mother would never have been caught wearing the same dress as someone else. Growing up Southern in the late 50’s and 60’s, the fashion rules that had been laid down for generations still held and will be with me always. We NEVER wore white after Labor Day or straw before Easter. Ladies did not wear jeans. I was 21 before I even tried on a pair! (Apologies to those of you who look great in jeans…most of us DO NOT.) Fashion was an experience to be enjoyed.

I was shopping Ivey Abitz before Cynthia started her own designs, so I was one of the first in line. Like my mother, I don’t want to meet myself coming and going in mass produced clothing.

Most of my wardrobe is now Ivey Abitz. I spend hours and multiple emails with Cynthia planning and seeking her advice on what ensembles to add (she keeps up so well with what you already have!). She is endlessly patient and helps me make the perfect choices for each season. She knows my likes and dislikes and her attention to her patrons is reflected in her incredibly comfortable designs. I never feel that my clothes are wearing me. (Think serious fashion mistakes you made in college.)

Somewhere along the way, feminine became the F word. The rags that pass for fashion make me dread long airline flights or trips to the market. I wear my IA ensembles everywhere, traveling costumes, at home, parties, and I look feminine and feel feminine. Cynthia has embraced a feeling of a more refined and dignified Time in her collections. I have found a sartorial home at IA and I never have to leave my home to browse and plan. I love opening the packages–a presentation in themselves.

Thank you, Cynthia.

-Anita in the South

P.S. Invest in the fabric swatches. There is no substitute for holding the fabric and looking at it in natural light and thinking carefully about your selections.